Fresh Air from WHYY, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Hosted by Terry Gross, the show features intimate conversations with today's biggest luminaries.
Comic John Mulaney
Mulaney was a writer at 'Saturday Night Live' for five years and recently returned to host for the first time. "I was absolutely terrified," he says. "To be performing something you've written and trying to listen to the jokes while making sure you're on your mark and looking into the right camera and then being pulled around to do costume fittings — it was scary." He talks about his 'SNL' audition, writing monologues for famous hosts, and drawing on his Catholic upbringing for stand-up material.
The New Zealand Massacre And The Global Resurgence Of Extremism
J.M. Berger studies the online activity of extremists. He warns that white nationalism is a growing phenomenon worldwide — with many in the movement drawing inspiration from President Trump. "When we do the social media analysis, it comes shouting out at you," he says. "We can count the links that they put out on Twitter and other social media platforms, and what we find is the most common is '#MAGA.' The most common description of somebody that they use in the profile, they use on Twitter, is 'Trump supporter.' "Also Ken Tucker reviews Robert Forster's album 'Inferno.' Forster was the former co-leader of the Australian band The Go-Betweens.
Best Of: The Emotional Lives Of Primates / Playwright & Actor Heidi Schreck
Primatologist Frans de Waal has spent 40 years studying the behavior and emotions of primates. He talks about how primates experience jealousy, reconciliation, and empathy — just like humans. "That's a spectrum of behavior that we have, and the same thing is true for many other species." His new book is 'Mama's Last Hug.' Film critic Justin Chang reviews Jordan Peele's new horror movie, 'Us.' As a teen, Heidi Schreck debated the Constitution in competitions. Later she realized it had failed to protect four generations of women in her family. "I believed it was perfect. I believed it was a tool of justice. I did not realize as a 15-year-old girl how profoundly I had been left out of it. I didn't realize that it didn't protect me," Schreck says. Her play, 'What the Constitution Means to Me,' is headed to Broadway.
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