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Cineppraisal

Dax Schaffer and Adam Fletcher

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Cineppraisal
102 min2019 AUG 31
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There’s something wrong in that massive house, in the middle of a lake, in the Edwardian English countryside, and it’ll take an insurance clerk (Daniel Radcliffe “Horns,” “Other Movies”) and a small town noble (Ciarán Hinds “Game of Thrones,” “There Will Be Blood”) to unravel a mystery of unspeakable horror. 2012’s “The Woman in Black” is a full-throated return to form for Hammer Films, the undisputed masters of horror in the 1960s and 70s. So, strap in because it’s going to get dark as Dax slowly realizes what this movie is really about!

Cineppraisal is an audio commentary podcast, designed to be played alongside the movies we talk about. During the beginning of the episode, we will mention sync points to help match up our audio with the film.

Hosted by Dax Schaffer and Adam Fletcher
Email us at Cineppraisal@gmail.com
Follow us on Instagram, Facebook, or Twitter @Cineppraisal
https://www.instagram.com/cineppraisal
https://www.facebook.com/cineppraisal
https://twitter.com/cineppraisal

Buy The Woman in Black Blu-ray
https://amzn.to/30LCprb

Stream The Woman in Black Digitally
https://amzn.to/2LcgpjV

Follow Dax
https://www.instagram.com/daxschaffer
https://twitter.com/DaxSchaffer

Follow A.E. Fletcher
https://www.instagram.com/dungeonsndaleks
https://twitter.com/dungeonsndaleks
https://www.ofdistantlands.com/

Dax’s other pod about Don Bluth
https://anchor.fm/tbtwbanbtb

Adam’s Book
https://amzn.to/2GWFexE

Support us on ko-fi
https://ko-fi.com/cineppraisal

Intro and Outro Music by Ako the Chemist
https://akothechemist.bandcamp.com

The Woman in Black was directed by James Watkins and released in 2012 by Alliance Films and Hammer Films (and a whole bunch of other studios). It was produced by Richard Jackson, Simon Oakes, and Brian Oliver with a screenplay by Jane Goldman based on The Woman in Black novel by Susan Hill. The film stars Daniel Radcliffe, Ciarán Hinds, Janet McTeer, and Liz White. The film’s music is by Marco Beltrami with cinematography by Tim Maurice-Jones.