It is likely that you walk past a road or building sign every day without the slightest thought about how the names listed on these spaces have rich ties to an activity that is popular in your town or city, important to the history of a particular group of people in your community, or to a historical event that a particular narrative has overlooked. This episode centers on Los Angeles’ Latinx communities as integral sites of C19 cultural production through its retelling of the historical significance of the Pico and Sepulveda intersection in West Los Angeles and the famous horse race that occurred there between Pío Pico and José Antonio Andrés Sepúlveda, two prominent figures in Mexican California, on March 20, 1852. Scholars Efren Lopez (SDSU-Imperial Valley), Marissa López (UCLA), and Gabriela Valenzuela (CSU-LA), as well as young poets from 826LA, a non-profit writing center serving K-12 youth, and the British-Guyanese writer Fred D’Aguiar, invite listeners to consider how...
This past February, the C19 Ad Hoc Committee on Events brought together eleven scholars to discuss the contributions their first books make to our understanding of nineteenth-century history, literature, and culture. Hosted by Crystal Donker (SUNY New Paltz), this live virtual event included individual presentations and a lively Q&A, where authors shared hard-won practical advice about the publishing process. On this episode of the C19 podcast, we share the excitement and intellectual curiosity of The First Book Celebration, introducing our listening audience to a new generation of scholars. This episode was produced by Rachel Boccio (LaGuardia Community College, CUNY) and Ashley Rattner (Tusculum University). The authors appearing on this episode include Ashley Barnes, Juliana Chow, Gordon Fraser, Melissa Gniadek, Reed Gochberg, Thomas Koenigs, Hannah Murray, Julie Pfeiffer, Crystal Webster, Xine Yao, and Elissa Zellinger. Full episode transcript is available at https://bit.ly/39L6SPq.
In 1842, nine years before the first adoption law was passed in the United States, two sisters from Boston, Anstrice and Eunice C. Fellows, began what would be the first adoption agency—in the form of a reform periodical, The Orphans’ Advocate and Social Monitor. With only the aid of their pens, in a small office near the Boston Common, these women created a cultural shift regarding orphaned and displaced children. In this episode, Sophia Hadley (Boston University) tells the story of the Fellows’ revolutionary work and their intervention into a surprisingly contentious discourse on orphan care in the nineteenth century. Amidst the rise of institutional care for orphans, the sisters promote the practice of adoption, specifically adoption within the local community. In the editorial and fictional works within the publication, the Fellows imagine varied members of the community—single, married, male, female, poor, and rich—as capable of having beneficial and empowering relationships with children among them, regardless of biological relation to them. Eschewing an individualistic or institutional approach to child-rearing, these authors imagine a collective responsibility in the care of children. This vision proves liberating for both the children and the guardians alike, shaping families in nontraditional ways. During our contemporary time in which the family unit is being productively reimagined, the forgotten story of the Fellows sisters and their incredible periodical can provide a priceless resource. This episode was produced by Sophia Hadley. Additional production support was provided by Lizzy LeRud (Georgia Institute of Technology). Full episode transcript available at https://bit.ly/FoundingMothersTranscript
“Reconstructions” is the theme and inspiration for the upcoming, in-person C19 conference, to be held in Florida’s Coral Gables/Miami region this March 31st - April 2nd. In this episode members of the podcast team interview the conference organizers as they prepare for the event and highlight what attendees can expect. Sarah Chinn (Hunter College, CUNY), Anna Mae Duane (University of Connecticut), Edlie Wong (University of Maryland), Martha Schoolman (Florida International University), and John Funchion (University of Miami) share behind-the-scenes insights as well as suggestions for potential conference attendees. For additional information, the conference program is available online at https://c19reconstructions.com/program/. This episode was written by Ryan Charlton (Auburn University) and produced by Ryan Charlton, Rachel Boccio (LaGuardia Community College, CUNY), Ashley Rattner (Tusculum University), Julia Bernier (Washington and Jefferson College), DeLisa Hawkes (University of Tennessee, Knoxville), and Lizzy LeRud (Georgia Tech). Background music is "Helges Friend Woke Up" by Lobo Loco, used under a Creative Commons license. Full episode transcript available: https://bit.ly/C19PodcastS05E01
This episode highlights the ways that librarians and faculty can partner in designing assignments that draw on archival records to emphasize the cultural, political, and social significance of nineteenth-century literary texts. Specifically, we explore the affordances of using archival records, particularly bills of sale for enslaved people, to teach Harriet Jacobs’s Incidents in the Life of a Slave Girl. Wake Forest University English faculty and Special Collections and Archives librarians talk about the discoveries students make through assignments that allow them to incorporate nineteenth-century historical documents from slavery into their reading and analysis of Jacobs’s narrative. We also consider the significant emotional challenges that this kind of direct material engagement poses, discussing the ways we have presented and revised our assignments to account for potentially traumatic triggering. Episode produced by Carrie Johnston (Digital Humanities Research Designer), Rian Bowie (Associate Teaching Professor of English), Megan Mulder (Special Collections Librarian), Tanya Zanish-Belcher (Director of Special Collections and Archives) and Brianna Derr (Wake Forest University Information Systems). Additional production support from Doug Guerra (SUNY Oswego). Full episode transcript with additional links available here: https://bit.ly/C19PodcastS04E08
The coronavirus pandemic in 2020 resulted in not only a devastating loss of life, but a loss of jobs too. As the virus swept the United States, so too did unemployment. What Americans experienced last year during the pandemic was unprecedented in some ways, but the link between crises in health and employment is nothing new. To gain some historical perspective on our most recent epidemic of unemployment, this episode travels back to the depressions of the late nineteenth century to uncover how American economists and thinkers used metaphors of contagious disease to first conceptualize what it meant to be unemployed. Produced by Hillary Roegelein (University of Maryland, College Park), a specialist in nineteenth-century American literature and unemployment history, this episode raises historical and philosophical questions about the advantages of and limitations to thinking about unemployment as a disease. Roegelein is joined by two other scholars of nineteenth-century American culture. Sari Altschuler (Northeastern University) turns to the Cholera outbreak of the 1840s to offer insight into the way pandemics repeatedly give rise to major shifts in cultural, economic, and intellectual thought. And Historian Richard White (Stanford University) explains the history of unemployment and its conceptual development in the United States before 1930. Additional production support was provided by Paul Fess (La Guardia Community College, CUNY). Full episode transcript availablehere: https://bit.ly/C19PodcastS04E07
Have we really witnessed, in the words of a 2016 J19 forum, “the end of the end of the canon?” This episode builds on the #VirtualC19 roundtable “Irreverence toward the Canon” held in October 2020. Envisioning the episode as the kind of conversation that ensues in the hallways after a conference panel, Carie Schneider (Cameron University) and Sean Gordon (University of Massachusetts Amherst) ask four basic questions: What is the canon? What is irreverence toward the canon? How do we do irreverence toward the canon? And why? After discussing canonicity in terms of their respective fields and methodologies, Schneider and Gordon go on to discuss what it means to assume an irreverent disposition in our teaching and research. Connecting irreverence to abolition, institutional power, and contemporary conversations about monuments, they gather ideas about how to inspire a politics of irreverence in our students and what cultivating such a disposition may mean for the future of the field — and beyond. The episode was produced by Carie Schneider and Sean Gordon and features the contributions of Julia W. Bernier (Washington & Jefferson College), Crystal S. Donkor (SUNY New Paltz), and Emily Gowen (Boston University). Music by Asura, Audiobinger, Broke for Free, and Loyalty Freak Music, and is used under Creative Commons licenses. Additional production support was provided by Ashley Rattner (Tusculum University). Full episode transcript available here: http://bit.ly/C19PodcastS04E06
In this episode, Elizabeth Duquette (Gettysburg College) and Stacey Margolis (University of Utah) discuss their experiences as co-editors of J19, the flagship journal of C19: The Society of Nineteenth-Century Americanists. In a recording of the live Q&A event from April 29, 2021, Crystal Donkor (SUNY New Paltz) asks the outgoing editors questions about the intellectual challenges and pragmatics of shaping research in the field of nineteenth-century American studies. For more information on the current call for new J19 editors please visit https://www.c19society.org/call-for-editors. Proposals are due by June 15, 2021. This episode was produced by Christine "Xine" Yao (University College London) and Doug Guerra (SUNY Oswego). Full transcript available here: http://bit.ly/C19PodcastS04E05. You can contact Betsy Duquette and Stacey Margolis to learn more about co-editing J19 or submitting to the journal: eduquett@gettysburg.edu / s.margolis@utah.edu
A nineteenth-century tunnel book inspires us to adopt different perspectives on settler colonial regimes and power structures. This second part in the diptych series on comparative settler colonialisms begins with an object lesson based in London about imperial gazes on different colonial landscapes. This episode features Dr. Xine Yao in conversation with Dr. T.J. Tallie, an Assistant Professor at the University of San Diego and author of Queering Colonial Natal: Indigeneity and the Violence of Belonging in Southern Africa (University of Minnesota Press, 2019). Tallie’s focus on nineteenth-century settler colonial histories in a region of what is now South Africa provides insight into structures of settler colonialism and ways to consider relationships between queerness, Indigeneity, and Blackness. This episode was produced by Melissa Gniadek (University of Toronto) and Xine Yao (University College London). Additional production support was provided by Rachel Boccio (LaGuardia Comm...
This episode tracks the literary history of pirates in the long nineteenth-century United States and examines how literary pirates helped singers, readers, and writers contemplate the excesses of capitalism. In four acts, Lydia G. Fash highlights varying tropes for literary pirates. The first act considers the pirate anti-heroes in a ballad about Captain Kidd favored by sailors who had to endure the brutal maritime punishments of greedy captains. The second act moves to the depression that followed the Panic of 1837, when Edgar Allan Poe positioned pirate treasure as an alluring windfall to those struggling folk savvy enough to decipher its secret location. In the third act, Fash tells the story of “The Great Western Land Pirate,” John Murrell, the leader of an armed gang who attacked the rich in the Southeast. And in the final act, Fash highlights how abolitionists labeled enslavers as pirates--a tactic meant both to remind listeners of the legal status of the international slave...