Ashly Burch is a writer and actress on the Apple TV+ series Mythic Quest, which is produced by Ubisoft. Episodes one through four of Season 2 of Mythic Quest are available to stream now, with new episodes releasing every Friday until the finale on June 25. Burch is also a renowned voice actress, featured in games like Horizon Zero Dawn, The Last of Us Part II, The Outer Worlds, and many more.
Composer Gareth Coker and Music Supervisor Jérôme Angelot take us behind the scenes of the creation of the music for Immortals Fenyx Rising. Find a transcript for this episode on Ubisoft News. Listen to the Immortals Fenyx Rising Original Game Soundtrack: https://idol.lnk.to/IFR_OSTFB.
BAFTA award-winning composer Jesper Kyd returns to the Assassin’s Creed series as one of the three composers on Assassin’s Creed Valhalla. Here, Jesper tells us how he revisited series’ most iconic track, Ezio’s Family, written over a decade ago for Assassin’s Creed 2, to create a new, Viking version. For Jesper, this track is all about ascending and transcending into the world of the gods, thanks to richly layered voices, instrumentation, and electronics. Listen to the Assassin’s Creed Valhalla Original Game Soundtrack wherever you get your music: smarturl.it/ACV-OST
BAFTA award-winning composer Jesper Kyd returns to the Assassin’s Creed series as one of the three composers on Assassin’s Creed Valhalla. In this episode, Jesper tells us about the evolution of his process since the last AC game he worked on by discussing his track “Kingdom of Wessex.” Jesper used different techniques, instruments, and technologies to achieve the depth of sound necessary for atmospheric exploration music that fits the game’s world and themes. Listen to the Assassin’s Creed Valhalla Original Game Soundtrack wherever you get your music: smarturl.it/ACV-OST
American composer, producer, and multi-instrumentalist Sarah Schachner returns to the Assassin’s Creed series as one of the three composers on Assassin’s Creed Valhalla. In this episode, Schachner discusses her process creating the track "The Sceptered Isle", melding lyrics from an old Norse rune stone with choir-like vocals. Listen to the Assassin’s Creed Valhalla Original Game Soundtrack wherever you get your music: http://smarturl.it/ACV-OST
American composer, producer, and multi-instrumentalist Sarah Schachner returns to the Assassin’s Creed series as one of the three composers on Assassin’s Creed Valhalla. In this episode, Schachner discusses her process creating the track “Asgard – Hall of the Aesir” in collaboration with British musician John Kenny. Kenny plays an ancient celtic instrument called the carnyx, which is used in this track to evoke the player’s journey to Asgard, the mythical land of the gods in Norse mythology. Listen to the Assassin’s Creed Valhalla Original Game Soundtrack wherever you get your music: http://smarturl.it/ACV-OST
Norwegian musician Einar Selvik, known for his band Wardruna and his work on the History Channel series Vikings, is one of three composers who worked on the soundtrack of Assassin’s Creed Valhalla, released by Ubisoft in November 2020. Einar focused on the in-game, skaldic music players can hear in the world of Valhalla. In this episode of Game Makers, Einar breaks down the beat, melody, instrumentation, and singing in his track “Hausbrjótr - Skullcrusher”. Assassin’s Creed Valhalla: The Wave of Giants, an album offering a selection of Einar Selvik’s tracks for the game, is available wherever you get your music: https://smarturl.it/ACV-TWOG
As Ubisoft prepares to launch Assassin’s Creed Valhalla, “Echoes of Valhalla” is an immersive historical audio documentary series about Vikings. Comedians, historians, and reconstructed scenes will bring to life the glorious eras of the people of the North, relating the story of the Vikings as you have never heard before. Check out the other episodes, available in 7 languages, on assassinscreed.com/podcast or find them directly on Spotify.
Video games are for everyone, but many players face steep barriers to playing certain games. From a lack of subtitles to overly complicated controls, there are countless examples of ways in which video games inadvertently set up barriers for players, but also countless ways to refine and improve those features and ensure a positive playing experience for everyone. Cherry Thompson, Accessibility Project Manager at Ubisoft Montréal, tells us about their career path in video game accessibility, what video game developers can do to make their games more accessible, and what they consider to be some industry benchmarks at the moment. Follow Cherry Thompson on Twitter: https://twitter.com/cherryrae?s=20 IGDA Game Accessibility Special Interest Group: https://igda.org/sigs/game-accessibility/ Game Accessibility Conference on Twitter: https://twitter.com/ga_conf?lang=en Learning to Design Games for Blind Players: https://news.ubisoft.com/en-us/article/4hE1D1MBWWssYuY7LaMmaS/learning-to-des...
What is the truth? Kenyan-Norwegian singer, songwriter, and rapper Stella Mwangi wrote the song "Ma Itu" for Just Dance 2020. Inspired by a pun in her native language, Kikuyu, and an Afro-Futuristic beat provided by her producer Tom Rogstad, Stella wrote a dancing song with a strong, inspiring meaning that explores the concept of truth. “Shukuru means we will accept the truth, we will all praise the truth,” Stella explains. “The truth will be a delight, it won’t be a fight. Like a newborn baby, it will be natural.” You can check out the official music video for “Ma Itu” on the Just Dance YouTube channel: https://www.youtube.com/watch?v=bqDde7uCOaM “Ma Itu” was written by Stella Mwangi and Tom Rogstad. “Nor Your Ordinary” was written by Stella Mwangi, Joachim Alte, and Tom Rogstad. Courtesy of Recurrent Records/Position Music.