Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! Killing John Wayne(Lyons Press, 2021) is the true story ofThe Conqueror(1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making ofThe Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others. Ryan Uytdewilligen attended Lethbridge College in Alberta and earned a degree in Broadcast Journalism, leading to work in radio anchoring, reporting, and media coordinating for the prestigious Vancouver International Film Festival. After writing-producing his first short film,Tea Time(2014), he optioned two feature film scripts and has worked as a script doctor/writer for hire. In 2016, he published his first non-fiction work, a film history examination called101 Most Influential Coming of Age Movies.Ryan currently resides in Vancouver, British Columbia. He would like to express his sympathy to everyone who lost a loved one that worked onThe Conqueror. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcastFifteen-Minute Film Fanatics(Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Erika Balsom and Hila Peleg's edited volumeFeminist Worldmaking and the Moving Image(MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South (LSU Press, 2022) presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television seriesMurder, She Wroteto red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics,The Tacky Southexplores what shifting notions of "tackiness" reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity. Editors Katharine Burnett and Monica Carol Miller have created aSpotify playlistcelebrating tackiness. Follow them on Twitter @thetackysouth or visit theirwebsite. Carrie Helms Tippenis Associate...
Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe. Why Patti Smith Matters(University of Texas Press, 2022)is the first book about the iconic artist written by a woman. The veteran music journalistCaryn Rosecontextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album,Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor,Why Patt...
Where are the women in the history of British cinema? InMovie Workers: The Women Who Made British Cinema(U Illinois Press, 2021),Melanie Bell, aProfessor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made! Dave O'Brienis Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium membe...
An in-depth celebration of the romantic comedy's modern golden era and its role in our culture, tracking the genre from its heyday in the '80s and the '90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. No Hollywood genre has been more misunderstood--or more unfairly under-appreciated--than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood's most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite--or perhaps because of--all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. InFrom Hollywood with Love: The Rise and Fall (and R...
In 2005, Tony Permanattended a ceremony alongside the living and the dead. His visit to a Zimbabwe farm brought him into contact with themadhlozi, outsider spirits that Ndau people rely upon for guidance, protection, and their collective prosperity. Perman's encounters with the spirits, the mediums who bring them back, and the accompanying rituals form the heart of his ethnographic account of how the Ndau experience ceremonial musicking. As Perman witnessed other ceremonies, he discovered that music and dancing shape the emotional lives of Ndau individuals by inviting them to experience life's milestones or cope with its misfortunes as a group.Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life(U Illinois Press, 2020) explores the historical, spiritual, and social roots of ceremonial action and details how that action influences the Ndau's collective approach to their future. The result is a vivid ethnomusicological journey that delves into the immediacy...
In Shakespeare’s comedyMuch Ado About Nothing, Leonato says, “I pray thee peace; I will be flesh and blood. / For there was never yet philosopher / That could endure the toothache patiently, / However they have writ the style of gods / And make a push at chance and sufferance.” These lines serve as the inspiration for the title of a new book from today’s guest, Donovan Sherman.The Philosopher's Toothache: Embodied Stoicism in Early Modern English Drama, was published by Northwestern University Press in 2022. Donovan is a Professor of English at Seton Hall University; his previous book isSecond Death: Theatricalities of the Soul in Shakespeare’s Drama(2016), from Edinburgh University Press.The Philosopher’s Toothacheis a meditation on conceptual latticing of early modern theatre and the ancient Greek philosophy of Stoicism. Writers explored in the book range from James I to Shakespeare and Ben Jonson. John Yargorecently received his PhD in English literature from the University...
In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon’s history-making visit. There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven’s Sixth. After protests that the Orchestra didn’t bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do. That’s just one of the stories recounted in Jennifer Lin’s book,Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China(Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra’s trip; with so much left on the cutting room floor, she decided to turn it into an oral history. Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS’s Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author ofShanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family(Rowman & Littlefield Publishers: 2017), and coauthor ofSole Sisters: Stories of Women and Running(Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofBeethoven in Beijing. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Freedom Girls: Voicing Femininity in 1960s British Pop(Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, th...