Frederick Joseph joins the Reckon Interview to discuss his new bestseller “Patriarchy Blues: Reflections on Manhood.” You may know Frederick as the force behind the Black Panther project, the effort that raised over one million dollars to help young Black children see Black Panther in theaters. He led a similar effort for young girls to see Captain Marvel. He raised funds to help people pay their rent during the early days of the pandemic shutdown. He’s poured a lot into the community. His first book The Black Friend has become one of those books about race that’s getting banned in school districts across the country. Frederick’s not afraid to confront big issues. And he’s not afraid to confront his own demons either. Patriarchy Blues is filled with essays that breakdown his ideas on what it means to be a man in America. The false binaries that we choose to accept between masculine and feminine traits. And the ways in which we’re all liberated if embrace womanist philosophies to move past some of these tropes. We’re all human beings who should get to experience the full depths of our humanity including chances to cry, laugh, get angry, get hurt, show love, show pain, sing and dance. There’s something in this conversation for everyone. So I hope you’ll give it a listen and then pick up a copy of Patriarchy Blues. Learn more about your ad choices. Visit megaphone.fm/adchoices
Neema Avashia was born and raised in the bedroom suburban community of Cross Lanes, West Virginia. She’s an Appalachian through and through. She can sing Take Me Home Country Roads by heart. She knows the state’s mountains and waterways by heart. In her new collection of essays, “Another Appalachia: Coming Up Queer and Indian in a Mountain Place,” she describes feeling more hillbilly than hindu. She wrestles with big questions about identity in her book. Could she really call herself Appalachian if her family didn’t go back several generations like her neighbors? What are the ways in which the ethics of community and kinship interact with an ethics of survival and assimilation? What does it mean to grow up in a business environment like chemicals or coal that extracts so much from its places and people? And what does it mean to see the people you love posting vile, hateful things about immigrants and people of color on Facebook? Neema now lives in Boston as a teacher and advocate for her students and school. On this episode of the Reckon Interview, she describes her Appalachian upbringing and how it feels to love and support a place from afar – even on days when it doesn’t feel like it gives you the love you deserve in return. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his book, “All the White Friends I Could Not Keep,” Andre Henry describes what it’s like to live through an apocalypse. And he’s going back to the original roots of that word. A time of revelation. For Andre, the last few years in America have laid deep truths bare. He grew up in Stone Mountain, Georgia. He had close white friends. People he even considered like a second family. He had a white church community. But as more and more Black people were killed by police. As Donald Trump encouraged more and more racism in the public square, Andre started to realize that he was spending so much of his time trying to convince people he thought were his friends to just see his humanity. It was draining him of his time and his art. Instead, he threw himself into activism, art and study. He studied global activist movements at the Harvard Kennedy School. He organized protests in Los Angeles. He wrote award-winning music. He started a podcast. And he wrote this book. Andre grew up in Ge...
They call Delbert McClinton the Godfather of Americana for a reason. Across the span of a 60 year career, he’s played with everyone. Little Richard and Jimmy Reed. Muddy Waters. Willy Nelson. Tom Petty. Mavis Staples. BB King. He's written songs performed by Emmylou Harris, Etta James, Vince Gill, George Strait, Martina McBride. He even taught a young John Lennon the finer points of the harmonica. His blend of country, soul and blues is a sound that has endured for 60 years. He’s somehow found himself at the center of the Texas music scene, the California music scene, the Nashville music scene, even the Muscle Shoals music scene. He’s a musician’s musician, releasing more than 30 albums and winning four Grammys and the Americana Association's Lifetime Achievement Award in 2019. He’s witnessed entire genres of music come and go and he’s seen America change in the process. He’s, quite simply, a legend. And now he’s released his latest album, "Outdated Emotion," which is a ...
If you want to know the truth about Appalachia, you won't find it in a certain elegy. You'll find it from people like Chuck Corra and Appodlachia, a podcast committed to examining the region in all its complexity. Corra joins the Reckon Interview to discuss JD Vance, Sen. Joe Manchin, and all the people that have been putting in work to make Appalachia a better place for generations. Learn more about your ad choices. Visit megaphone.fm/adchoices
Some of you may not know his story but David J. Dennis Sr. was a titan of the civil rights movement. Born in Louisiana, he joined the movement while at Dillard University in New Orleans. Like many people, he got pulled into the movement reluctantly at first. But by the time he was in his early 20s he was the field director for the Congress of Racial Equality in Louisiana and Mississippi. He was working with Bob Moses to organize voter registration and turnout. And he was risking his life as a Freedom Rider. David Dennis Sr. helped organize the Mississippi Freedom Summer. He challenged the Democratic Party at virtually every level to become more integrated. He put his life on the line time and time and time again. And he lost friends. Friends like Medgar Evers who was gunned down outside of his home. Friends like James Chaney, Andrew Goodman, Michael Schwerner who were abducted and murdered because of their work in Mississippi. David survived but he lived with the guilt of that. For ...
As the horses take their place in the upcoming Kentucky Derby, thousands of people around the country will join in singing “Our Old Kentucky Home,” the state song of Kentucky and one that also has its roots in minstrel shows. The song was written by Stephen Foster a couple of decades before the Civil War. Foster is sometimes called the father of American popular music. And this song along with others that he wrote became a global sensation. Today it’s usually associated with the Derby, America’s longest running sporting event. On this episode of the Reckon Interview, we hear from Emily Bingham who grew up just a few miles from the iconic Churchill Downs. In her new book, “My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song,” she charts a surprising and fascinating history. This song has evolved and adapted over the course of nearly 200 years, changing to better fit the culture mores of the time. Learn more about your ad choices. Visit megaphone....
In the middle of making her newest record, Michaela Anne’s life went through a series of life altering changes. She became pregnant with and gave birth to her first child and her mother experienced a major hemorrhagic stroke. She spent the second half of her pregnancy, sitting by her mom’s bedside in Michigan, playing these new songs for her. They became a source of comfort, introspection and healing during a moment fraught with anxiety and unknowing. As fate would have it, Michaela Anne’s new album, “Oh To Be That Free,” is filled with songs that examine the things that make us human. The flaws that we learn to love in ourselves, the ways that we must learn to love others the way that they need to be loved. As she watched her mom recover and her daughter’s first months in the world, Michaela had written the album she needed to hear. This week on the Reckon Interview, I sit down with the Nashville-based singer-songwriter to talk about her upcoming album. And we’ll hear a snea...
In his new collection of poetry “The Gleaming of the Blade,” Christian J. Collier examines his world through a cinematic lens. In one poem, he takes on the perspective of one of Jason’s victims in Friday the 13th VIII. In another, he writes from the voice of The Candyman. They’re engaging, subversive poems. But he’s also revealing a deeper truth, the way that American society can turn Black men into villains. Into monsters.Throughout this collection, the Chattanooga-based poet examines the fine line between intimacy and violence, between love and hate, divisions wrought by skin color. This week on the Reckon Interview, we hear a few poems from Christian, learn about his life in Chattanooga and the artistic community he’s helping to build there, and we discuss the deeper truths that he’s unveiling in his work. See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are seeing wave after wave after wave of legislation in this country that targets LGBT youth and adults. Especially the trans community. In Texas, an order issued by the governor would allow the state to take children away from their homes if their parents are trans affirming. In Florida and Alabama, the so-called “Don’t Say Gay” law could penalize teachers that displayed family photos with their same sex partners. Other laws and bills would require teachers to out gay students to their parents. Some politicians have tried to mask their intent with these bills as a way to “protect women’s sports,” though as the governor of Utah pointed out when he vetoed one anti-trans bill, the number of trans athletes competing is an incredibly small number. It’s a cynical effort to target a marginalized population in order to gain political power. It’s an approach to governing that has real consequences for real people. This week on the Reckon Interview, we’re talking with Sydney Dunc...