Richard Bell is one of the few individual artists curated into Documenta 15, the highly-anticipated global survey of contemporary art. This year, for the first time, it’s been dominated by artists and collectives from the Global South.But the historic takeover has been eclipsed by a media storm ignited by what appears to be a Jewish caricature in a mural painted by Indonesian artist group Taring Padi, since taken down. Queensland-born sculptor Sebastian di Maurowho now calls Delaware home, discusses his obsession with materiality and his new exhibition featuring appliquéd army blankets based on the arcane imagery on American dollar notes. And we discover the little-known painter Edward Brezinski who lived on the fringes of the hyperactive 1980s New York art scene that produced Jean Michel Basquiat and Keith Haring. His desperate bid for fame is charted in the new documentaryMake Me Famous which also offers a fascinating insight into the ecosystem of the art business.
A conversation with artist Daniel Boyd whose work has focussed on reframing Eurocentric images from Australia's past. Plus, Sally Ryan discusses her latest commission, a giant oil painting of Jesus, Mary and Joseph for St Mary’s cathedral in Sydney. She says it's her hardest painting yet. And, returning artefacts taken from Kunwinjku and Gagadju artists in Arnhem Land in the early 1900s.
Have you ever walked through an epic entanglement of red cotton thread, by the artist Chiharu Shiota? The Japanese installation and performance artist takes Daniel through The Soul Trembles, an exhibition highlighting 25 years of her practice. Including the time she undertook a nude workshop with Marina Abramovic, mistaking her for the textile sculptor Magdalena Abakanowitcz. Plus, Daniel speaks with performance artist Wura-Natasha Ogunji, who came to Sydney to lead a public endurance performance in which a group of women haul water kegs through the streets. It was first performed in Lagos, Nigeria in 2011. From the sky, to the moon and the neon of electric globes, light is art’s most essential element. Tate UK has a huge collection of works that speak to the evolution of light, from natural source to fluorescent tubes. More than 70 of them are on show at the Australian Centre for the Moving Image (ACMI).
Why artist and curator David Sequeira doesn't believe in just a 'pop of colour'. How a colour-blind artist adapted to colours he couldn't perceive. And how glasses that allow colour-deficient people to see the full spectrum of colours, work. Plus, Daniel chats to V&A curator Catlin Langford about her book on the mania for Autochrome, an early colour photography process invented by the Lumière brothers.
We start the show at the Parade for the Moon in Melbourne's Chinatown, part of the city's RISING festival. Then Daniel speaks with tattoo and visual artist eX-de-Medici about her intense and detailed watercolours that interrogate violent power structures. And step inside the Ecole des Beaux-Arts in Paris, where Daniel catches up with Australian artist Angelica Mesiti, who teaches there.
Daniel chats with artist brothers Abdul-Rahman and Abdul Abdullah, who are close in life but not so much in their art. However, thorny issues unite them in Land Abounds, their new joint exhibition. Hear how Filipino sculptor Leeroy New builds his large-scale sci-fi installations made from 100% recycled materials. He's in Australia for Melbourne's RISING festival. And how did an 1897 painting by the Wurundjeri clan leader William Barak, end up at a Sotheby's auction house in New York? Last week Wurundjeri people successfully bid for the works.
The American artist Kiki Smith talks about tapestry and her long career. My Art Crush: painter and printmaker Kirtika Kain makes tactile work about the oppression and unrecorded history of Dalit people. Step inside the Palais de Tokyo (in Paris), Europe's largest centre for contemporary art, for a tour of the exhibition Reclaim The Earth.
How often does a political artwork fall into the national spotlight during a federal election? Hear from Archibald portrait prize winner Blak Douglas. Plus, an Italian art exhibition that puts NFT juggernaut Beeple alongside European masters and Australia's Richard Bell. And enter the studio of weaver, printmaker and textile artist Ema Shin.
Greetings from the 22nd La Biennale di Venezia, in Italy! The Venice Biennale is known as the Olympics of the art world, complete with golden awards, stunning achievement and sometimes, disappointment. This year has seen more female artists, Black artists and minority cultures representing national pavilions than even before. Take a tour with Daniel around the storied pavilions and canals of the world’s most prestigious art event, speaking with participants, former Australian representatives and punters.
What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook. Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.