Chris Hayes discusses the problems with Ireland’s proposed artist’s basic income scheme and Maria Walsh on the work of filmmaker Suki Chan.
Chris Clarke discusses the 59th Venice Biennale ’The Milk of Dreams’ and Anne Massey considers some of the shortcomings of ‘Postwar Modern: New Art in Britain 1945—1965’ currently on show at the Barbican Gallery in London.
Bob Dickinson discusses the ways in which artists have attempted to engage with the legacies of trauma.
Michaële Cutaya on the importance of surface over depth, and Chloe Carroll on the role of the monument.
Morgan Quaintance on the problems with Tate’s British-Caribbean exhibition ‘Life Between Islands’, Tom Hastings on performer SERAFINE1369, and Jack Smurthwaite on Danielle Brathwaite-Shirley’s solo show at Arebyte.
Bob Dickinson discusses ‘Art and Dyschronia’, his essay where he warns that our concern for the future should not distract us from what is happening to the past at the hands of right-wing populist governments intent on rewriting history.
Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.
Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.
Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.
Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.